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Alexander Zaxarov
Jan 19, 2026

A chair defined by offset structure and flat-pack logic, Shift designed by SGMS Studio treats assembly as design, turning balance, joints, and displacement into a spatial experience.

Its silhouette is defined by deliberate misalignments: legs step out of axis, planes refuse symmetry, and joints assert themselves rather than disappearing. The result is a chair that feels composed through tension, where stability is not assumed but constructed through calibrated offsets.

The project borrows from architectural thinking in both method and attitude. Each element is legible, reduced to essential planes and volumes, with fasteners left visible as markers of logic rather than flaws. The chair’s structure performs like a small frame system, echoing temporary constructions or modular buildings where balance is achieved through assembly rather than mass.

Crucially, Shift is conceived as a demountable object. Delivered flat-pack, it frames assembly as a meaningful act, not a compromise. The user reconstructs the logic of the piece step by step, encountering its spatial reasoning firsthand. Fabrication, logistics, and use collapse into a single narrative of clarity, restraint, and intentional displacement.

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We love less
but there is more.
Become a Thisispaper+ member today to unlock full access to our magazine, advanced tools, and support our work.
Get two months FREE
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No items found.
Alexander Zaxarov
Jan 19, 2026

A chair defined by offset structure and flat-pack logic, Shift designed by SGMS Studio treats assembly as design, turning balance, joints, and displacement into a spatial experience.

Its silhouette is defined by deliberate misalignments: legs step out of axis, planes refuse symmetry, and joints assert themselves rather than disappearing. The result is a chair that feels composed through tension, where stability is not assumed but constructed through calibrated offsets.

The project borrows from architectural thinking in both method and attitude. Each element is legible, reduced to essential planes and volumes, with fasteners left visible as markers of logic rather than flaws. The chair’s structure performs like a small frame system, echoing temporary constructions or modular buildings where balance is achieved through assembly rather than mass.

Crucially, Shift is conceived as a demountable object. Delivered flat-pack, it frames assembly as a meaningful act, not a compromise. The user reconstructs the logic of the piece step by step, encountering its spatial reasoning firsthand. Fabrication, logistics, and use collapse into a single narrative of clarity, restraint, and intentional displacement.

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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The chair represents the most sacred meeting of form and function. From offices to dining tables, lounging to working, chairs are ubiquitous pieces of design. In the words of the late David Bowie “Why bother choosing a certain chair? Because that chair says something about you.”
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