The smallest brief in the discipline. Bent beech, riveted aluminium, forged steel, salvaged timber set in molten aluminum, plywood veneer, flat-pack logic. Chairs that lean into process, into material memory, into sculpture; chairs that refuse the distinction between furniture and object. Argued out one piece at a time — because the chair is where form and function meet most visibly, and most honestly.
The chair as argument. Backrest, seat, four legs, and every generation's question of what design is.
