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London Guide
under the patronage of
Finsbury Circus Parks Office by Studio Weave
Alexander Zaxarov
Aug 27, 2026

In Finsbury Circus, a City of London garden dating to 1606, London studio Studio Weave sets the Parks Office low into the planting, a clay-render volume housing a working base for the City Gardens team.

Finsbury Circus is one of the City of London’s older green spaces, a garden that dates to 1606 and now sits ringed by the tall stone frontages of the Square Mile. The building that once served the park had outlived its use. In its place Studio Weave, working with the City of London Corporation and the landscape practice Realm, has set down a small pavilion, low and unassuming, tucked into the planting rather than standing over it.

The volume is clad in natural stone and clay render, its walls carrying a soft warmth that reads closer to earth than to the pale stone around it. A base of Kentish Ragstone grounds it to the site. One corner pulls into a gentle curve, softening the box so that the paths and planting seem to wrap past it. Brick paver walkways thread through ferns and low shrubs, and the pavilion sits among mature plane trees that have stood in the Circus for generations.

For JJ Cliff, architect and Studio Weave director, the design was a matter of restraint and offering. “the Parks Office emerges quietly from the landscape, affording places to perch and shelter in the spirit of generosity that supports both human and non-human life in the city,” he says. Sills and thresholds double as ledges; the building gives something back to the park before anyone steps inside.

Inside, the plan is compact and practical. It holds a kitchenette and a sitting room, a toilet, and a wet room for washing down tools and equipment, plus storage for those tools, a hub for electronics, and secure outdoor storage. Oak joinery lines the rooms and timber beams cross the ceilings; a stainless steel counter turns one wall into a working kitchen. A large square window frames a single young tree, pulling the garden inside.

The pavilion is the latest in a run of projects Studio Weave has made with the City. “This project continues a series of collaborations between the City and Studio Weave, alongside landscape architects and horticulturists including Tom Stuart-Smith at Bank Junction, Tom Massey at Jubilee Gardens, and Realm, here at Finsbury Circus,” Cliff says. What links them is a client willing to think in decades rather than seasons, treating gardens and the buildings that serve them as long-term public assets.

That way of thinking gives an ordinary maintenance building unusual care. Cliff hopes to see “the Parks Office become a welcoming base for the City Gardens team as they care for the critical green spaces” of the Square Mile, a place to make tea, dry off, store a barrow and step back out into the beds. In a district measured by towers and trading floors, the smallest structure here is the one built for the people who keep it alive.

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Alexander Zaxarov
Aug 27, 2026

In Finsbury Circus, a City of London garden dating to 1606, London studio Studio Weave sets the Parks Office low into the planting, a clay-render volume housing a working base for the City Gardens team.

Finsbury Circus is one of the City of London’s older green spaces, a garden that dates to 1606 and now sits ringed by the tall stone frontages of the Square Mile. The building that once served the park had outlived its use. In its place Studio Weave, working with the City of London Corporation and the landscape practice Realm, has set down a small pavilion, low and unassuming, tucked into the planting rather than standing over it.

The volume is clad in natural stone and clay render, its walls carrying a soft warmth that reads closer to earth than to the pale stone around it. A base of Kentish Ragstone grounds it to the site. One corner pulls into a gentle curve, softening the box so that the paths and planting seem to wrap past it. Brick paver walkways thread through ferns and low shrubs, and the pavilion sits among mature plane trees that have stood in the Circus for generations.

For JJ Cliff, architect and Studio Weave director, the design was a matter of restraint and offering. “the Parks Office emerges quietly from the landscape, affording places to perch and shelter in the spirit of generosity that supports both human and non-human life in the city,” he says. Sills and thresholds double as ledges; the building gives something back to the park before anyone steps inside.

Inside, the plan is compact and practical. It holds a kitchenette and a sitting room, a toilet, and a wet room for washing down tools and equipment, plus storage for those tools, a hub for electronics, and secure outdoor storage. Oak joinery lines the rooms and timber beams cross the ceilings; a stainless steel counter turns one wall into a working kitchen. A large square window frames a single young tree, pulling the garden inside.

The pavilion is the latest in a run of projects Studio Weave has made with the City. “This project continues a series of collaborations between the City and Studio Weave, alongside landscape architects and horticulturists including Tom Stuart-Smith at Bank Junction, Tom Massey at Jubilee Gardens, and Realm, here at Finsbury Circus,” Cliff says. What links them is a client willing to think in decades rather than seasons, treating gardens and the buildings that serve them as long-term public assets.

That way of thinking gives an ordinary maintenance building unusual care. Cliff hopes to see “the Parks Office become a welcoming base for the City Gardens team as they care for the critical green spaces” of the Square Mile, a place to make tea, dry off, store a barrow and step back out into the beds. In a district measured by towers and trading floors, the smallest structure here is the one built for the people who keep it alive.

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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