Milan Vagač’s exhibition “[face_not_recognized]” at the Ernest Zmeták Art Gallery serves as a compelling exploration of the interface between humanity and technology.
His latest works, spanning paintings, objects, and installations, form a coherent yet multifaceted examination of contemporary aesthetics, digital culture, and the boundaries of classical artistic expression.
Vagač's "Gizmo" series (2022-2024) is the cornerstone of this exhibition. The term “gizmo,” with its connotations of unnamed or obscure technological devices, is an apt metaphor for the artist’s creations. These works evoke a sense of both familiarity and mystery, drawing viewers into a contemplative space where the function and form of the depicted objects remain intriguingly ambiguous. His precision in creating illusionistic paintings that mimic relief sculpture emphasizes a meticulous craftsmanship that contrasts sharply with the ephemeral nature of digital interfaces.
The centerpiece of the exhibition, the site-specific installation "Interface I." (2024), encapsulates Vagač’s thematic and aesthetic pursuits. This work, covering an entire gallery wall, is a modular composition that offers a dynamic interplay between individual paintings and the larger, cohesive whole. The modularity allows for a flexible and evolving viewer experience, highlighting Vagač's interest in deconstructing and reassembling visual elements. This analytical approach to painting—where the artist dissects and exposes underlying structures—invites viewers to engage deeply with the medium itself.
Vagač’s use of pastel colors and monochromatic transitions creates a soothing yet complex visual language. The interplay of cotton canvas and transparent fabric adds layers of depth, both literally and metaphorically. By revealing the wooden frame beneath the transparent canvas, Vagač draws attention to the foundational elements of painting, much like how digital devices rely on hidden mechanisms. This meticulous depiction of abstract devices hints at the invisible processes behind our everyday technology.
The exhibition's title, “[face_not_recognized],” poignantly captures the tension between human uniqueness and technological precision. It references the facial recognition technology that has become ubiquitous in our interactions with digital devices. This title suggests a moment of disconnection—a failure of technology to understand or authenticate the human presence. It symbolizes the broader theme of the exhibition: the often opaque relationship we have with technology, where the inner workings remain obscured, and our understanding is surface-level.
