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Dec 13, 2023

In the realm of contemporary art, where the boundaries between mediums are increasingly blurred, Milanese artist Davide Allieri presents an intriguing exploration of spatial dynamics and temporal ambiguity at Galerie Hubert Winter in Vienna, Austria.

His inaugural exhibition, "CELLS," offers a contemplative journey through the multifaceted nature of the eponymous concept, extending far beyond its simplest biological definition.

Allieri's artistic odyssey delves into the essence of the cell as a fundamental unit of existence and structure. His works, encompassing drawing, sculpture, and installation, echo the philosophical underpinnings of spatial compartmentalization—delineating the dichotomies of inside and outside, presence and absence. This exploration resonates with a nuanced understanding of space as both a physical and metaphysical entity. The exhibition's central theme, the cell, is reimagined as a microcosm of broader societal and existential constructs, challenging viewers to reconsider their perceptions of confinement, isolation, and the interplay between the individual and the collective.

The visual narrative of "CELLS" is articulated through Allieri's masterful use of materials and form. His drawings, enshrined in handmade fiberglass frames, depict desolate landscapes and architectural forms on tracing paper, suffused with dystopian overtones. These meticulous illustrations, veiled under a lattice of colored pencil strokes, evoke a sense of decay and desolation, hinting at a world where the vestiges of a hyper-capitalist era outlast human presence. Meanwhile, Allieri's sculptures, poised at the intersection of art and utility, embody a sense of temporal indeterminacy. They are artifacts of a future that is simultaneously lost and anticipated, relics that speak not of the past but of potentiality.

Through "CELLS," Allieri invites us to traverse a landscape where the lines between science fiction and architectural reality blur. His exhibition is a contemplation on the fragility of human constructs and the enduring nature of our physical and conceptual edifices. It is an artistic foray that challenges us to envision a future that acknowledges the remnants of our past while boldly facing the uncertainties ahead.

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@zaxarovcom
Dec 13, 2023

In the realm of contemporary art, where the boundaries between mediums are increasingly blurred, Milanese artist Davide Allieri presents an intriguing exploration of spatial dynamics and temporal ambiguity at Galerie Hubert Winter in Vienna, Austria.

His inaugural exhibition, "CELLS," offers a contemplative journey through the multifaceted nature of the eponymous concept, extending far beyond its simplest biological definition.

Allieri's artistic odyssey delves into the essence of the cell as a fundamental unit of existence and structure. His works, encompassing drawing, sculpture, and installation, echo the philosophical underpinnings of spatial compartmentalization—delineating the dichotomies of inside and outside, presence and absence. This exploration resonates with a nuanced understanding of space as both a physical and metaphysical entity. The exhibition's central theme, the cell, is reimagined as a microcosm of broader societal and existential constructs, challenging viewers to reconsider their perceptions of confinement, isolation, and the interplay between the individual and the collective.

The visual narrative of "CELLS" is articulated through Allieri's masterful use of materials and form. His drawings, enshrined in handmade fiberglass frames, depict desolate landscapes and architectural forms on tracing paper, suffused with dystopian overtones. These meticulous illustrations, veiled under a lattice of colored pencil strokes, evoke a sense of decay and desolation, hinting at a world where the vestiges of a hyper-capitalist era outlast human presence. Meanwhile, Allieri's sculptures, poised at the intersection of art and utility, embody a sense of temporal indeterminacy. They are artifacts of a future that is simultaneously lost and anticipated, relics that speak not of the past but of potentiality.

Through "CELLS," Allieri invites us to traverse a landscape where the lines between science fiction and architectural reality blur. His exhibition is a contemplation on the fragility of human constructs and the enduring nature of our physical and conceptual edifices. It is an artistic foray that challenges us to envision a future that acknowledges the remnants of our past while boldly facing the uncertainties ahead.

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