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St Hilaire Church in Melle by Mathieu Lehanneur

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St Hilaire Church in Melle by Mathieu Lehanneur
@zaxarovcom
Jan 19, 2022

Mathieu Lehanneur has converted the choir with a stacked leyers of marble at St Hilaire church in Melle in the Deux-Sèvres department, France.

The white marble creates an homogenous mineral block formed from successive strata which seem to recall the sedimentary formation of the basement. The liturgical furniture (altar and ambo) is made from coloured alabaster, close to the colour of the original stone of the church. The result is a visual impact, one of Lehanneur's trade secrets, this time using the purity of the geological chaos to highlight the perfection of the Romanesque geometry. The complicity between the church and this mineral mass is completed by the baptistery hollowed out from the same material. The water that it holds appears to be from the river which runs below the church: the ultimate linking the building with its environment.

The designer has enhanced the Romanesque building with a very mineral look, a surge of white marble that he imagines "prior to the construction of the church. A mineral presence justifying that the church was built there. Reflecting the extreme care paid to the telluric energy of stones and territories in the building of Romanesque churches, this place of worship would have been built on this specific area for the discernable energy that emanates from it.

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@zaxarovcom
Jan 19, 2022

Mathieu Lehanneur has converted the choir with a stacked leyers of marble at St Hilaire church in Melle in the Deux-Sèvres department, France.

The white marble creates an homogenous mineral block formed from successive strata which seem to recall the sedimentary formation of the basement. The liturgical furniture (altar and ambo) is made from coloured alabaster, close to the colour of the original stone of the church. The result is a visual impact, one of Lehanneur's trade secrets, this time using the purity of the geological chaos to highlight the perfection of the Romanesque geometry. The complicity between the church and this mineral mass is completed by the baptistery hollowed out from the same material. The water that it holds appears to be from the river which runs below the church: the ultimate linking the building with its environment.

The designer has enhanced the Romanesque building with a very mineral look, a surge of white marble that he imagines "prior to the construction of the church. A mineral presence justifying that the church was built there. Reflecting the extreme care paid to the telluric energy of stones and territories in the building of Romanesque churches, this place of worship would have been built on this specific area for the discernable energy that emanates from it.

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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