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East-West/West-East in the Qatari Desert by Richard Serra

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East-West/West-East in the Qatari Desert by Richard Serra
@zaxarovcom
Nov 19, 2021

Internationally acclaimed artist Richard Serra adds the astonishing East-West/West-East sculpture to the desert landscape, taking art to the people.

Set in a natural corridor formed by gypsum plateaus, East-West/West-East spans over a kilometre in length, and crosses the peninsula of the Brouq Nature Reserve connecting the waters of the Gulf. East-West/West-East consists of four steel plates measured by their relation to the topography.

This breathtaking sculpture in the Brouq nature reserve spans over a kilometre and comprises four steel plates, each over fourteen metres in height. To guarantee perfect alignment, Serra examined the topography of the land and beautifully enhanced the vast, desolate space in the heart of the desert.

“Before, there was no way of discerning where anything was in relation to where you were, because you had no point of reference. What that piece does is give you a point of reference in relationship to a line, and your upstanding relationship to a vertical plane, and infinity”. — Richard Serra

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and sign up to Thisispaper+ to submit your work. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
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@zaxarovcom
Nov 19, 2021

Internationally acclaimed artist Richard Serra adds the astonishing East-West/West-East sculpture to the desert landscape, taking art to the people.

Set in a natural corridor formed by gypsum plateaus, East-West/West-East spans over a kilometre in length, and crosses the peninsula of the Brouq Nature Reserve connecting the waters of the Gulf. East-West/West-East consists of four steel plates measured by their relation to the topography.

This breathtaking sculpture in the Brouq nature reserve spans over a kilometre and comprises four steel plates, each over fourteen metres in height. To guarantee perfect alignment, Serra examined the topography of the land and beautifully enhanced the vast, desolate space in the heart of the desert.

“Before, there was no way of discerning where anything was in relation to where you were, because you had no point of reference. What that piece does is give you a point of reference in relationship to a line, and your upstanding relationship to a vertical plane, and infinity”. — Richard Serra

Interested in Showcasing Your Work?

If you would like to feature your works on Thisispaper, please visit our Submission page and subscribe to Thisispaper+. Once your submission is approved, your work will be showcased to our global audience of 2 million art, architecture, and design professionals and enthusiasts.
No items found.

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