Anna Bak's Bleak Harvest at Vestjyllands Kunstpavillon in Denmark confronts the anxieties of modern agriculture with a poetic, yet dystopian narrative.

The exhibition unfolds within a fictional agricultural community, weaving together their relentless quest for yield and the haunting aftermath of a failed harvest. Although set in a fabricated world, Bak draws clear parallels to contemporary realities: industrialized farming, the dangers of genetically modified crops, and the planet's overconsumption of resources. Her work becomes an allegory for the slow degradation of our agricultural systems, evoking both personal and collective trauma.

The exhibition feels particularly resonant in the rural context of Videbæk, where the vast fields that surround the Kunstpavillon speak to Denmark's agricultural legacy. Bak, who grew up on a Danish pig farm in the 1990s, taps into her personal history, reflecting on the dramatic decline of full-time farmers in Denmark—from 40,000 in 1985 to a mere 7,500 today. This local context, combined with the timing of the exhibition during the harvest season, intensifies the urgency of her commentary on the state of agriculture. Bak does not offer moral certainties but rather constructs a space where historical reality and fictional horror merge.

Bleak Harvest is a visual metaphor, blending elements of classical horror and mythic folklore to capture the eerie tension between abundance and decay. From bronze sculptures of rotting apples to sensuous, twisted tools made of wood and aluminum, the material choices evoke a surreal collision of nature and industry. The tactile richness of the exhibition—deformed plants, scorched fields, and the unsettling quiet of a ruined harvest—creates a claustrophobic atmosphere. The viewer is left to decipher the narrative, constructing their own understanding of a world where nature's cycles are distorted beyond recognition.