Chairs, tables, lamps, stools, textile works, and a handful of architectural interiors where reduction is the discipline — not the aesthetic. Aluminium folded into a seat, asphalt cast as a table leg, glass blown at the scale of a chair, textile turned into spatial memory. Each piece argues that less is not the goal; what remains, and why, is.
Reduction as rigour, not style. Objects stripped until every element earns its presence.
